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Unit 10 - Symbolic Interaction Perspectives
Linking SI [symbolic interaction] concepts of ambivalence, symbolic
ambiguity and negotiation, we have worked to develop a theory of fashion
that synthesizes macro- and micro-level processes. In short, we are proposing
that ambivalence is an integral human condition that finds an outlet in
the capItalist marketplace, in the form of appearance-modifying commodities. Unit 10 will examine the content and construction of an SI (symbolic interaction) theory of fashion. Before continuing with this section of the course, you should complete the readings and questions for Units 1-9. To get us started, let's first explore the basic premises of Symbolic Interaction Theory. In general, Symbolic Interaction Theory, describes the dynamic process by which individuals create, assess, and revise their actions in terms of the objects and individuals they encounter in their environment and in terms of their own assessments of themselves. Sociologist, George Mead (1934) in his book Mind, self, and society, outlined the following propositions associated with Symbolic Interaction Theory:
Although most symbols are communicated verbally, some are transmitted through sight (e.g., gestures, motions), objects, and smell. Fashion objects carry symbolic meaning to the observer. These symbolic meanings are socially constructed and communicated through social interaction. In 1980, Turner and Holman (Advances in Consumer Research, 7, 610-614) noted that the Symbolic Interactionist approach to human behavior is based on six propositions:
The three articles included in this unit apply the basic premises and propositions of Symbolic Interaction to further our understanding of the fashion process. These articles describe not only the SI Theory of Fashion, but also how the theory was developed. Thus, these articles provide a unique opportunity for us to gain insight into theory development as well as premises that form the theory itself. In 1991, the International Textile and Apparel Association sponsored a post-conference workshop on fashion theory where Susan Kaiser, Richard Nagasawa, and Sandra Hutton presented their Construction of a Symbolic Interactionism (SI) Theory of Fashion. As part of this conference several individuals were invited to provide responses to the theory from a variety of perspectives. Versions of these reaction papers were later published in the Clothing and Textiles Research Journal. You will find these reaction papers to be a useful addition to your understanding of the SI Theory of Fashion. Reaction papers to the SI Theory of Fashion
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